The Tollywood disaster is actual. All the ecosystem — from producers and manufacturing banners to distributors and exhibitors — is genuinely fearful. The priority isn’t nearly movies failing; it’s in regards to the alarming actuality that individuals aren’t even displaying up for the very first present of a brand new launch.
In the event you have a look at the interval post-Sankranti, solely two small movies have really labored: Court docket and Mad Sq.. Other than these, the one movie that had a considerably respectable run is Thandel. That’s it. Take away these three, and no different movie has made any impression since Sankranti.
Additionally Learn – Sampath Nandi’s Public Shaming Sparks Backlash
Now have a look at the current string of disasters: Arjun Son Of Vyjayanthi, Odela 2, Akkada Ammayi Ikkada Abbayi, Jack, Robin Hood, Dilruba, Mazaka, Laila — the record simply retains rising. Audiences rejected most of those movies from the trailer stage itself.
These manufacturing homes and administrators couldn’t even minimize an interesting trailer to present the viewers a motive to step right into a theatre. But now, the business is in panic mode, questioning why audiences aren’t displaying up.
Additionally Learn – High VFX Firms for Vishwambhara
As at all times, the blame recreation has begun — pointing fingers at OTT platforms streaming movies inside three weeks, or at critiques that supposedly kill movies. However the true query is: did any of those movies genuinely deserve the viewers’s cash? The reply, these titles, is kind of clear.
The Telugu movie business already has a hit charge of lower than 10%. In such a fragile ecosystem, the blame additionally falls on actors who have been anticipated to ship — and failed.
Additionally Learn – HIT 3 Promotions: Seen Earlier than or Really Progressive?
One title that stands out right here is Siddu Jonnalagadda.
Why him? As a result of if Siddu had delivered ‘Jack’ with even half the impression of his earlier blockbuster, the business would have gained some much-needed momentum. His success may have drawn audiences again to theatres, constructing curiosity not only for his movie but additionally for others that adopted. As an alternative, his newest outing fell flat on each entrance. He couldn’t generate even the naked minimal curiosity to deliver audiences to the theatres. Given the expectations on him, he turns into one of many key disappointments on this ongoing disaster.
To an extent, even Vishwak Sen with Laila carries some blame. Had he delivered a profitable and even reasonably profitable movie, it may’ve contributed positively. However he, too, dropped the ball.
In an business with such a low success charge, what retains the fireplace alive is a handful of movies — and a handful of actors — that draw individuals in. These are those who hold the theatre ecosystem ticking and encourage audiences to return again for the subsequent launch.
At this crucial juncture, the blame falls on actors like Siddu and Vishwak to ship — and so they didn’t.
On the flip aspect, all eyes are actually on Nani, who’s arriving at an important second. If he delivers, the momentum can shift once more. A profitable movie from him may uplift the theatre enterprise, spark viewers curiosity, and create anticipation for upcoming releases.
That’s how this business works. And on this state of affairs, Siddu Jonnalagadda positively deserves some of the blame.
#Siddu #Jonnalagadda #MajorCulprit
